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#1
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My fancy new camera has 2 media slots, one for a CF card and one for a
SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ |
#2
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Nice Pictures......I know with Raw you can fill up a memory card in a
heartbeat........ Most pros shoot raw...... They must have lots of memory or many cards..... I usually just shoot jpeg, and know that I need to try some raw images.... The new camera I want to purchase does the same that your Canon does.... Raw/vs..Jpeg......interesting....... Another set of confusing new details to learn....... that camera I want is a Pentaz KD20 14 meg.pix. large view screen and live action on the view screen..........not wait to see........ jloomis John - Pa. wrote in message ... My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ |
#3
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On Sat, 31 May 2008 21:21:53 -0400, John - Pa. wrote:
My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ The answer is -- I don't know. The picture converted from raw I like better, it's a little darker. If you adjust the brightness and contrast to be the same, do you see one being preferable to the other? I have played with raw a bit, it's good if there is a problematic shot, greater brightness range than the in camera conversion can handle. There is the option to do a lot of corrective editing before the conversion to jpg. I used a program called Raw Shooter Essentials for what little playing I did. |
#4
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![]() John - Pa. wrote in message ... My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ 1D Mk III, hmmm, I don't like you very much ![]() I think you answered your own question when you said you worked the RAW image in LR an PS and discussed the loss in compression with the jpg. I know even the jog of a 1D MkIII is going to be a very nice image to work with, but you've already lost about half your data. I started shooting RAW for two reasons, tweaking exposure/WB was easier if I didn't nail it on capture, and the fact I had my entire lossless image available for any cropping, enlarging or other work later. Now, with the duo media capabilities of the MkIII, I know people that shoot Raw on the CF and jpg on the SD and then only touch the RAW files for any work that needs to be done later. Of course they also pretty much nail the shot every time so post processing is pretty minimal for them. Congrats on the MkIII, I'm looking forward to seeing more shots from it. Rob |
#5
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![]() Well, John; the "RAW" with your post processing is certainly more favourable to my eye. Now, if I had the flower in front of me and could see the actual colour then I could make a much more critical observation. Personal I prefer the "RAW". :-) Dave John - Pa. wrote in message ... My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ |
#6
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John - Pa. wrote:
[...] While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. [...] I did a quick gamma change of the PG image with PMView (a simple viewer/processor ported from OS/2). Result attached. Took about 30 seconds, inlcluding program start-up. BTW, there will not be increased loss at every save of a JPG. The viewer converts the JPG to a bitmap for display, and converts it back to JPG when Saving. If the initial compression was different than the one used by the image processor, there will be loss of information. If the compression is the same, there will be none. OTOH, there will be differences in image file size after processing, because image processing changes the image information. But that's true regardless of the image format used. All image processing entails some loss of original information. You cannot recover the original image by reversing the processing. (You should never work on the original file. Keep an archive folder for originals, and copy images to a Work folder for processing. It's odd, but this common sense procedure has tpo be taught to most people when they start in digital photography.) NB that unless you are printing very large images on a very high end printer, there will be no visible differences in final image quality. There will be aesthetic differences, because of the wider range of processing available on RAW images, but aesthetic judgments and preferences are personal. They aren't built into image processors. ;-) Since you have the capability to record both RAW and JPG, I suggest you use it, but work on RAW images only when you think the image is worth the extra time and effort. HTH -- wolf k. |
#7
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I have a Canon 350D and it will also record both formats at the same
time and this is usually how I shoot. The jpg's are used for anything that will be viewed only on a monitor and the raw is used for anything I want to print. Digital storage is getting cheaper everyday so there's no reason not to record in the larger format. Saying you'll shoot this type of subject in jpg and this subject in raw really isn't a good idea, IMO. You never know when that great keeper shot will happen and fiddling around with one more camera setting may cause you to miss a great opportunity. On Sat, 31 May 2008 21:21:53 -0400, John - Pa. wrote: My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ Macros shot with a Canon 100mm f/2.8 Telephotos shot with a Canon 100-400mm f4.5-5.6 BH |
#8
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Hi John,
Not trying to sound overly critical but it appears to me you've conducted an experiment where you had a foregone conclusion and you proved it. Of the two photos below the flower in the 'jpeg' appears to be the correct color and just about correct exposure. It is a bit bright, so I supsect you metered on some larger part of the area than just the flower. You should get the proper metering if you spot meter on the flower or if your camera is a bit 'hot' simply adjust the exposre by -1/3 EV. This issue is independent of the jpeg vs raw debate. The other thing it appears you adjusted is the color cast. It seems in the raw version you added a purple/blue color cast. Is this more like the original flower? If so you could bracket your white-balance, although I have a hard time imagining your camera got it wrong in this senario. Your camera could run a bit to the orange side so you could adjust for 1-2 additional levels of blue if you find you need to make this adjustment in PS every time. Otherwise if this is an astethic choice it has no provative merit in the jpeg vs raw discussion either. Raw does have genuine advantages in the adjustment space, but in these photos it was probably not needed. I think sometimes people are now getting into 'adjustment for adjustment' sake. This is less about photography and more about artistic vision and computer supported photomanipulation. To me the key advantage of raw is one that most people fail to notice. Raw gives you a very slight increase in recorded dynamic range. This could be crtical if the histogram in your photo spans the edges of your sensor's range. You could determine this ahead of time by spot metering the brightest object in the photo and spot metering the darkest area of the photo. If the differeince is more than 8-10 stops I'd absolutely shoot in raw every time. Btw even in raw if the DR is much higher than this you probably will lose detail. On the other hand, jpeg has some key unsung advantages. For some reason I hear this 'rule of thumb' that photogs have about 'editing' and losing information all the time now. Let me be the first to point out that losing information can be a good thing. The whole benefit and success of jpeg and reason it is a widely used standard is that it "loses information." In this case it mostly loses information that 'blind' formats would thoughtlessly store. This is an advantage. Its the same reason why mp3 has revolutionized music listening. Perceptually, editing your jpegs does not lose significant information if you keep the quality setting high. You can edit your jpegs dozens of times, always working from the edit (who does this?) and not damage your work of art. In fact, if you are editing your photo 10-20 times always working from an editited intermediate saved as a jpeg, I'm guessing your doing so much photomanipulation that the original photo is next to irrelevant at that point. But this is a substantially uncommon workflow. Do you always drive on the left just in case your city is overrun by the English? You may be missing out on important benefits of the right lane. Every time you click the shutter your camera ccd throws away enourmous dynammic range that the human eye easily notices. Does this make the ccd lossy and useless? I highly doubt it. I shoot 90% JPEG and RAW when I need a boost in dynamic range or edit- flexability. Btw, the photos you attached are both jpegs. John John - Pa. wrote in : My fancy new camera has 2 media slots, one for a CF card and one for a SD card. Among other options, it also has the ability to record the same sensor capture to both media with different settings. Although I have shot RAW almost exclusively for years, I wanted to compare RAW and JPG on the new camera. To do this I shot a bunch of stuff today recording a "standard" style JPG to one media, and simultaneous RAW to the other. These are not separate shutter activations; they are literally the same exposure recorded to different places. Now, I suppose that this isn't "fair" because I did process the Raw image in Adobe Lightroom and Photoshop, while the JPG was just resized from the file that came out of the camera. On the other hand, the real question is, do I want to save time and storage and rely on the off-the-camera processing of the JPG "picture style", or continue to do my own processing with RAW. While I suppose that I could have fooled around with the JPG in PS too, I figure that there isn't much point to that since the manipulation of a RAW-based file carrying 14-bits of data per channel (in my case) should produce better results than manipulating an 8-bit/channel file with lossy compression that will degrade with every "save". The question to be answered is; will the difference in quality be worth the file-size and time of RAW processing, or should I just shoot JPG and not worry about it. In case anyone wonders, this is an Oenothera speciosa (showy primrose). JD Canon 1D-mkIII EXIF Data Included e-mail: blissful-wind(at)usa.net Additional images at; http://www.flickr.com/photos/john-pa/ begin 644 20083045-JPG.jpg Attachment decoded: 20083045-JPG.jpg ` end begin 644 20083045-Raw.jpg Attachment decoded: 20083045-Raw.jpg ` end |
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